{"id":6173,"date":"2026-04-26T16:04:37","date_gmt":"2026-04-26T16:04:37","guid":{"rendered":"https:\/\/pluartis.com\/dev\/?p=6173"},"modified":"2026-04-28T05:56:19","modified_gmt":"2026-04-28T05:56:19","slug":"radica-nikodinovska","status":"publish","type":"post","link":"https:\/\/pluartis.com\/?p=6173","title":{"rendered":"Dr. Radica Nikodinovska"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong>Philologist | Literary Translator | Cultural Mediator<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1536\" height=\"1536\" src=\"https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/IDlnJnAb-edited-1.jpg\" alt=\"\" class=\"wp-image-6472\" srcset=\"https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/IDlnJnAb-edited-1.jpg 1536w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/IDlnJnAb-edited-1-300x300.jpg 300w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/IDlnJnAb-edited-1-1024x1024.jpg 1024w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/IDlnJnAb-edited-1-150x150.jpg 150w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/IDlnJnAb-edited-1-768x768.jpg 768w\" sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-medium-font-size\"><strong>Dr. Radica Nikodinovska<\/strong> is a preeminent figure in the world of Romance languages and a vital link in the cultural dialogue between Italy and North Macedonia. With a career spanning over four decades, her work as a scholar, educator, and translator has redefined how we understand the &#8220;art of the bridge&#8221; \u2013 the complex process of moving ideas, emotions, and traditions across linguistic borders.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Academic &amp; Professional Excellence<\/strong><\/h4>\n\n\n\n<p>Dr. Nikodinovska\u2019s foundation is built on rigorous scholarship. After graduating from the Faculty of Philology \u201cBla\u017ee Koneski\u201d in Skopje, she earned her Master\u2019s in Italian Phraseology and a PhD centred on the Didactics of Translation. Her career has seen her move seamlessly between the classroom and the highest levels of international diplomacy.<\/p>\n\n\n\n<p><strong>Expert Pedagogy<\/strong>: As a long-standing member of the Department of Italian Language and Literature in Skopje, she has shaped the minds of generations of linguists.<\/p>\n\n\n\n<p><strong>Diplomatic Service<\/strong>: Her exceptional mastery of language has made her a trusted consecutive and simultaneous interpreter for high-level official visits between North Macedonian and Italian state delegations.<\/p>\n\n\n\n<p><strong>Academic Leadership<\/strong>: She is the Founder and Honorary President of the Association of Italian Language Teachers in North Macedonia and a member of the International Association AIPI.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Research Leadership and Contrastive Studies<\/strong><\/h4>\n\n\n\n<p>Beyond the lecture hall, Dr. Nikodinovska has been a driving force in international research, notably through her collaboration with the&nbsp;<strong>Sapienza University of Rome<\/strong>. She played a pivotal role in the <strong>CREAMY project<\/strong>&nbsp;(Calvino REpertoire for Analysis of Multilingual PhraseologY), where she spearheaded the inclusion of the Macedonian language in a landmark study of contrastive phraseology. <\/p>\n\n\n\n<p>Her scholarly work often dissects the &#8220;problematic&#8221; intersections of culture and linguistics, focusing on how culture-specific elements \u2013 whether idiomatic, phonetic, or social \u2013 affect the architecture of a translation. This dedication to research ensures that her practice is not only artistic but grounded in a deep, scientific understanding of linguistic evolution.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>The Expert on &#8220;Relative Translatability&#8221;<\/strong><\/h4>\n\n\n\n<p>A central theme in Dr. Nikodinovska\u2019s work is her exploration of the boundaries of language. She famously advocates for the concept of &#8220;relative translatability,&#8221; arguing that while cultural and linguistic differences may pose challenges, a skilful translator can find a form that resonates within the target context.<\/p>\n\n\n\n<p><strong>Literary Feats<\/strong>: She performed a true &#8220;translation mission&#8221; by producing the first regional translation of all 200 of Italo Calvino\u2019s <em>Italian Folktales<\/em>.<\/p>\n\n\n\n<p><strong>Poetic Precision<\/strong>: Her versification skills are celebrated globally, notably in her Macedonian translation of Torquato Tasso\u2019s <em>Gerusalemme Liberata<\/em> and her Italian translations of Macedonian poetry.<\/p>\n\n\n\n<p><strong>Audiovisual Innovation<\/strong>: Her expertise extends to the modern screen, where she guides students and professionals in the strategies of film and documentary translation.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1350\" src=\"https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/VlU0k9dX-edited.jpg\" alt=\"\" class=\"wp-image-6573\" srcset=\"https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/VlU0k9dX-edited.jpg 900w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/VlU0k9dX-edited-200x300.jpg 200w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/VlU0k9dX-edited-683x1024.jpg 683w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/VlU0k9dX-edited-768x1152.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"1045\" src=\"https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/RN1-edited.jpg\" alt=\"\" class=\"wp-image-6570\" srcset=\"https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/RN1-edited.jpg 696w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/RN1-edited-200x300.jpg 200w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/RN1-edited-682x1024.jpg 682w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"830\" height=\"1245\" src=\"https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/RN_EF-edited.jpg\" alt=\"\" class=\"wp-image-6567\" srcset=\"https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/RN_EF-edited.jpg 830w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/RN_EF-edited-200x300.jpg 200w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/RN_EF-edited-683x1024.jpg 683w, https:\/\/pluartis.com\/wp-content\/uploads\/2026\/04\/RN_EF-edited-768x1152.jpg 768w\" sizes=\"auto, (max-width: 830px) 100vw, 830px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>State Honours &amp; Distinguished Awards<\/strong><\/h4>\n\n\n\n<p>In recognition of her tireless promotion of Italian culture, Dr. Nikodinovska has received some of the most prestigious honours:<\/p>\n\n\n\n<p><strong>Orders of the Italian Republic<\/strong>: She holds the rank of Knight (<em>Stella della Solidariet\u00e0 Italiana<\/em>) and Officer (<em>Stella d\u2019Italia<\/em>), awarded by the President of the Italian Republic.<\/p>\n\n\n\n<p><strong>National Translation Prize<\/strong>: Awarded the <em>Premio nazionale per la traduzione<\/em> by the Italian Ministry of Culture.<\/p>\n\n\n\n<p><strong>Literary Excellence<\/strong>: Recipient of the &#8220;Bozhidar Nastev&#8221; award for her translation of Dino Buzzati\u2019s <em>The Secret Shop<\/em>.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-1&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\" style=\"font-size:clamp(0.875rem, 0.875rem + ((1vw - 0.2rem) * 0.708), 1.3rem);\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-1-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-1\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>List of works<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-1\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-1-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p>Here you can view the list of Dr. Nikodinovska&#8217;s translations from Italian into Macedonian and <em>vice versa<\/em> (available in Macedonian):<\/p>\n\n\n\n<p><strong>\u041f\u0440\u0435\u0432\u043e\u0434\u0438<\/strong> <strong>\u043e\u0434 <\/strong><strong>\u0438\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u0438 <\/strong><strong>\u0458\u0430\u0437\u0438\u043a<\/strong><\/p>\n\n\n\n<p><strong>I&nbsp;<\/strong><strong>\u041a\u043d\u0438\u0433\u0438&nbsp;<\/strong><\/p>\n\n\n\n<ol start=\"1\" class=\"wp-block-list\">\n<li>\u0410\u043d\u0434\u0440\u0435\u0430 \u041a\u0430\u043c\u0438\u043b\u0435\u0440\u0438:&nbsp;<em>\u041e\u0431\u043b\u0438\u043a\u043e\u0442 \u043d\u0430 \u0432\u043e\u0434\u0430\u0442\u0430,&nbsp;<\/em>\u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0438 \u0446\u0435\u043d\u0442\u0430\u0440 \u0422\u0420\u0418, \u0421\u043a\u043e\u043f\u0458\u0435, 2026.&nbsp;(Andrea Camilleri,&nbsp;<em>La forma dell\u2019acqua,&nbsp;<\/em>Sellerio Editore, Palermo, 1994)<\/li>\n\n\n\n<li>\u040f\u0430\u043d\u0440\u0438\u043a\u043e \u041a\u0430\u0440\u043e\u0444\u0438\u0459\u043e:&nbsp;<em>\u041c\u0435\u0440\u0430 \u043d\u0430 \u0432\u0440\u0435\u043c\u0435\u0442\u043e,&nbsp;<\/em>\u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0438 \u0446\u0435\u043d\u0442\u0430\u0440 \u0422\u0420\u0418, \u0421\u043a\u043e\u043f\u0458\u0435, 2025. (Gianrico Carofiglio,&nbsp;<em>La misura del tempo,&nbsp;<\/em>Einaudi, Torino, 2019)<\/li>\n\n\n\n<li>\u0415\u0440\u0438\u043d \u0414\u0443\u043c:&nbsp;<em>\u0421\u043e\u043b\u0437\u043e\u0442\u0432\u043e\u0440\u0435\u0446,&nbsp;<\/em>\u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0438 \u0446\u0435\u043d\u0442\u0430\u0440 \u0422\u0420\u0418, \u0421\u043a\u043e\u043f\u0458\u0435, 2024.&nbsp;(Erin Doom,&nbsp;<em>Fabbricante di lacrime,&nbsp;<\/em>Salani Editore, Firenze, 2021)&nbsp;<\/li>\n\n\n\n<li>\u0424\u0435\u0434\u0435\u0440\u0438\u043a\u0430&nbsp;\u0434\u0435&nbsp;\u0410\u043d\u045f\u0435\u043b\u0438\u0441:&nbsp;<em>\u0420\u0430\u0441\u0435\u0430\u043d\u043e\u0441\u0442\u0438<\/em><em>,&nbsp;<\/em>\u0410\u0440\u0441&nbsp;\u0421\u0442\u0443\u0434\u0438\u043e,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2024.&nbsp;(Federica De Angelis,&nbsp;<em>Le Distrazioni<\/em>, Harper Collins Italia, 2022)<\/li>\n\n\n\n<li>\u041c\u0430\u0440\u043a\u043e&nbsp;\u041c\u0438\u0441\u0438\u0440\u043e\u043b\u0438:&nbsp;<em>\u0414\u0430<\/em><em>\u0438\u043c\u0430\u0448<\/em><em>\u0441\u0450<\/em>,&nbsp;\u0410\u0440\u0441&nbsp;\u0421\u0442\u0443\u0434\u0438\u043e,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2023. (Marco Missiroli,&nbsp;<em>Avere tutto,&nbsp;<\/em>Einaudi, Torino, 2022)<\/li>\n\n\n\n<li>\u0415\u043b\u0435\u043d\u0430&nbsp;\u0424\u0435\u0440\u0430\u043d\u0442\u0435:&nbsp;<em>\u041b\u0430\u0436\u043b\u0438\u0432\u0438\u043e\u0442 <\/em><em>\u0436\u0438\u0432\u043e\u0442 <\/em><em>\u043d\u0430 <\/em><em>\u0432\u043e\u0437\u0440\u0430\u0441\u043d\u0438\u0442\u0435<\/em>,&nbsp;\u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0438&nbsp;\u0446\u0435\u043d\u0442\u0430\u0440&nbsp;\u0422\u0420\u0418,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2023.&nbsp;(Elena Ferrante,&nbsp;<em>La vita bugiarda<\/em>&nbsp;<em>degli adulti,&nbsp;<\/em>&nbsp;Edizioni E\/O, Roma, 2019.)<\/li>\n\n\n\n<li>\u041c\u0430\u0440\u043a\u043e&nbsp;\u041c\u0438\u0441\u0438\u0440\u043e\u043b\u0438:&nbsp;<em>\u0412\u0435\u0440\u043d\u043e\u0441\u0442<\/em>,&nbsp;\u0410\u0440\u0441&nbsp;\u0421\u0442\u0443\u0434\u0438\u043e,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2022. (Marco Missiroli,&nbsp;<em>Fedelt\u00e0,&nbsp;<\/em>Einaudi, Torino, 2019)<\/li>\n\n\n\n<li>\u0410\u0443\u0440\u0435\u043b\u0438\u043e&nbsp;\u041f\u0438\u043a\u0430:&nbsp;<em>\u041d\u0430\u0458\u0433\u043e\u043b\u0435\u043c\u0438\u043e\u0442 <\/em><em>\u043a\u0440\u0438\u043c\u0438\u043d\u0430\u043b\u0435\u0446<\/em> <em>\u043d\u0430 <\/em><em>\u0420\u0438\u043c <\/em><em>\u043c\u0438 <\/em><em>\u0431\u0435\u0448\u0435 <\/em><em>\u043f\u0440\u0438\u0458\u0430\u0442\u0435\u043b<\/em>,&nbsp;\u0410\u0440\u0441&nbsp;\u0421\u0442\u0443\u0434\u0438\u043e, 2022. (Aurelio Picca,&nbsp;<em>Il pi\u00f9 grande criminale di Roma \u00e8 stato amico mio<\/em>, Bompiani, Milano, 2020)<\/li>\n\n\n\n<li>\u040f\u0435\u0440\u0430\u0440\u0434\u043e \u041c\u0430\u0437\u0443\u0447\u043e:&nbsp;<em>\u0414\u043e\u0442\u0443\u043a\u0430 \u0436\u0438\u0432\u0435\u0435\u043b \u0447\u043e\u0432\u0435\u043a<\/em>, \u0421\u0442\u0440\u0443\u0448\u043a\u0438 \u0432\u0435\u0447\u0435\u0440\u0438 \u043d\u0430 \u043f\u043e\u0435\u0437\u0438\u0458\u0430\u0442\u0430, 2022 (\u043a\u043e-\u043f\u0440\u0435\u0432\u0435\u0434\u0443\u0432\u0430\u0447 \u0441\u043e \u0410\u043d\u0430\u0441\u0442\u0430\u0441\u0438\u0458\u0430 \u0403\u0443\u0440\u0447\u0438\u043d\u043e\u0432\u0430).(Gerardo Masuccio,&nbsp;<em>Fin qui visse un uomo,&nbsp;<\/em>Interno Poesia Editore, Latiano, 2020 \u2013 cotraduttrice co A. Gjurcinova)&nbsp;<\/li>\n\n\n\n<li>\u0415\u043b\u0435\u043d\u0430 \u0424\u0435\u0440\u0430\u043d\u0442\u0435:&nbsp;<em>\u041f\u0440\u0438\u043a\u0430\u0437\u043d\u0430 \u0437\u0430 \u0438\u0437\u0433\u0443\u0431\u0435\u043d\u043e\u0442\u043e \u0434\u0435\u0432\u043e\u0458\u0447\u0435<\/em>, \u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0438 \u0446\u0435\u043d\u0442\u0430\u0440 \u0422\u0420\u0418, \u0421\u043a\u043e\u043f\u0458\u0435, 2021.&nbsp;(Elena Ferrante,&nbsp;<em>Storia della bambina perduta,<\/em>Edizioni E\/O, Roma,&nbsp;2014)<\/li>\n\n\n\n<li>\u0418\u0442\u0430\u043b\u043e \u041a\u0430\u043b\u0432\u0438\u043d\u043e:&nbsp;<em>\u0418\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u0438 \u043f\u0440\u0438\u043a\u0430\u0437\u043d\u0438<\/em>, \u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0438 \u0446\u0435\u043d\u0442\u0430\u0440 \u0422\u0420\u0418, \u0421\u043a\u043e\u043f\u0458\u0435, 2021.&nbsp;(Italo Calvino,&nbsp;<em>Fiabe italiane,&nbsp;<\/em>Mondadori, Milano, 1991)<\/li>\n\n\n\n<li>\u0424\u0435\u0440\u0455\u0430\u043d \u041e\u0446\u043f\u0435\u0442\u0435\u043a:&nbsp;<em>\u041a\u0430\u043a\u043e \u0437\u0434\u0438\u0432,<\/em>&nbsp;\u0410\u0440\u0441 \u0421\u0442\u0443\u0434\u0438\u043e, \u0421\u043a\u043e\u043f\u0458\u0435, 2021.&nbsp;(Ferzan Ozpetek,&nbsp;<em>Come un sospiro,&nbsp;<\/em>Mondadori, Milano, 2020)<\/li>\n\n\n\n<li>\u0420\u043e\u0437\u0430 \u0412\u0435\u043d\u0442\u0440\u0435\u043b\u0430:&nbsp;<em>\u0413\u0440\u0430\u0434\u0438\u043d\u0430\u0442\u0430 \u043d\u0430 \u043e\u043b\u0435\u0430\u043d\u0434\u0440\u0438\u0442\u0435<\/em>, \u0410\u0440\u0441 \u041b\u0430\u043c\u0438\u043d\u0430, \u0421\u043a\u043e\u043f\u0458\u0435, 2021.&nbsp;(Rosa Ventrella,&nbsp;<em>Il giardino degli oleandri<\/em><em>,&nbsp;<\/em>Newton Compton Editori, Roma, 2015)<\/li>\n\n\n\n<li>\u0414\u0438\u043d\u043e \u0411\u0443\u0446\u0430\u0442\u0438,&nbsp;<em>\u0421\u043b\u0430\u0432\u043d\u0430\u0442\u0430 \u0438\u043d\u0432\u0430\u0437\u0438\u0458\u0430 \u043d\u0430 \u043c\u0435\u0447\u043a\u0438\u0442\u0435 \u0432\u043e \u0421\u0438\u0446\u0438\u043b\u0438\u0458\u0430<\/em>, \u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0438 \u0446\u0435\u043d\u0442\u0430\u0440 \u0422\u0420\u0418, \u0421\u043a\u043e\u043f\u0458\u0435, 2020.&nbsp;(Dino Buzzati,&nbsp;<em>La famosa invasione degli orsi in Sicilia,&nbsp;<\/em>Mondadori, Segrate, 2019)<\/li>\n\n\n\n<li>\u0411\u0458\u0430\u043d\u043a\u0430 \u041f\u0438\u0446\u043e\u0440\u043d\u043e,&nbsp;<em>\u041f\u043e\u043b\u0438\u043a\u0441\u0435\u043d\u0430 \u0441\u043e \u043f\u0440\u0430\u0441\u0435\u0442\u043e<\/em>, \u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0438 \u0446\u0435\u043d\u0442\u0430\u0440 \u0422\u0420\u0418, \u0421\u043a\u043e\u043f\u0458\u0435, 2020.&nbsp;(Bianca Pitzorno,&nbsp;<em>Polissena del porcello<\/em>, Mondadori, Segrate, 1993)&nbsp;<\/li>\n\n\n\n<li>\u0424\u0438\u043b\u0438\u043f\u043e \u0412\u0435\u043d\u0442\u0443\u0440\u0438,&nbsp;<em>\u0422\u043e\u0440\u0442\u0435\u043b\u0438\u043d\u0430\u0442\u0430 \u0443\u043c\u0438\u0440\u0430 \u0432\u043e \u0434\u043e\u043c\u0430\u0442\u0435\u043d \u0441\u043e\u0441<\/em>, \u0410\u0440\u0441 \u0421\u0442\u0443\u0434\u0438\u043e, \u0421\u043a\u043e\u043f\u0458\u0435, 2020.&nbsp;(Filippo Venturi,&nbsp;<em>Il tortellino muore nel brodo,&nbsp;<\/em>Sperling &amp; Kupfer, Milano, 2018)<\/li>\n\n\n\n<li>\u0415\u043b\u0435\u043d\u0430 \u0424\u0435\u0440\u0430\u043d\u0442\u0435:&nbsp;<em>\u041f\u0440\u0438\u043a\u0430\u0437\u043d\u0430 \u0437\u0430 \u043e\u043d\u0438\u0435 \u0448\u0442\u043e \u0437a\u043c\u0438\u043d\u0443\u0432\u0430\u0430\u0442 \u0438 \u0437\u0430 \u043e\u043d\u0438\u0435 \u0448\u0442\u043e \u043e\u0441\u0442\u0430\u043d\u0443\u0432\u0430\u0430\u0442<\/em>, \u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0438 \u0446\u0435\u043d\u0442\u0430\u0440 \u0422\u0420\u0418, \u0421\u043a\u043e\u043f\u0458\u0435, 2020.&nbsp;(Elena Ferrante,&nbsp;<em>Storia di chi fugge e di chi resta,&nbsp;<\/em>Edizioni E\/O, Roma, 2013)&nbsp;<\/li>\n\n\n\n<li>\u0414\u0438\u043d\u043e&nbsp;\u0411\u0443\u0446\u0430\u0442\u0438,&nbsp;<em>\u0428\u0435\u0435\u0441\u0435\u0442 <\/em><em>\u0440\u0430\u0441\u043a\u0430\u0437\u0438<\/em>,&nbsp;\u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0438&nbsp;\u0446\u0435\u043d\u0442\u0430\u0440&nbsp;\u0422\u0420\u0418,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2018. (Dino Buzzati,&nbsp;<em>Sessanra&nbsp;<\/em><em>raconti,&nbsp;<\/em>collana&nbsp;<em>Oscar Narrativa<\/em>, Mondadori, Milano, 1995)<\/li>\n\n\n\n<li>\u0418\u0442\u0430\u043b\u043e&nbsp;\u041a\u0430\u043b\u0432\u0438\u043d\u043e,&nbsp;<em>\u0411\u0430\u0440\u043e\u043d\u043e\u0442 <\/em><em>\u043d\u0430 <\/em><em>\u0434\u0440\u0432\u043e<\/em><em>,&nbsp;<\/em>\u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0430&nbsp;\u0434\u0435\u0458\u043d\u043e\u0441\u0442&nbsp;88,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2017. (Italo Calvino,&nbsp;<em>Il barone rampante,&nbsp;<\/em>Mondadori, Milano, 2014)&nbsp;<\/li>\n\n\n\n<li>\u0422\u043e\u0440\u043a\u0432\u0430\u0442\u043e&nbsp;\u0422\u0430\u0441\u043e.&nbsp;<em>\u041e\u0441\u043b\u043e\u0431\u043e\u0434\u0435\u043d\u0438\u043e\u0442 \u0415\u0440\u0443\u0441\u0430\u043b\u0438\u043c<\/em>.&nbsp;\u0410\u0440\u0441&nbsp;\u041b\u0430\u043c\u0438\u043d\u0430,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2015.&nbsp;(Torquato Tasso,&nbsp;<em>Gerusalemme liberata<\/em>,&nbsp;Sperling &amp; Kupfer, Milano, 2009)<\/li>\n\n\n\n<li>\u0411\u0435\u043d\u0432\u0435\u043d\u0443\u0442\u043e&nbsp;\u0427\u0435\u043b\u0438\u043d\u0438<em>,&nbsp;<\/em><em>\u0416\u0438\u0432\u043e\u0442\u043e\u0442 <\/em><em>\u043d\u0430 <\/em><em>\u0427\u0435\u043b\u0438\u043d\u0438<\/em>,&nbsp;\u0418\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0438&nbsp;\u0446\u0435\u043d\u0442\u0430\u0440&nbsp;\u0422\u0440\u0438,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2013. (Benvenuto Cellini,&nbsp;<em>Vita,&nbsp;<\/em>Collezione Classici italiani, Torino, UTET, 1965)<\/li>\n\n\n\n<li>\u041b\u0443\u0438\u045f\u0438&nbsp;\u041f\u0438\u0440\u0430\u043d\u0434\u0435\u043b\u043e,&nbsp;<em>\u0425\u0435\u043d\u0440\u0438<\/em><em>&nbsp;IV<\/em>,&nbsp;\u0410\u043d\u0442\u043e\u043b\u043e\u0433,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2013. (Luigi Pirandello,&nbsp;<em>Enrico IV,&nbsp;<\/em>Sperling &amp; Kupfer, Milano, 2012)<\/li>\n\n\n\n<li>\u0413\u0430\u0435\u0442\u0430\u043d\u043e&nbsp;\u041b\u043e\u043d\u0433\u043e<em>,&nbsp;<\/em><em>\u0415\u0432\u0442\u0438\u043d\u0438 <\/em><em>\u0441\u0442\u0438\u0445\u043e\u0432\u0438<\/em><em>,&nbsp;<\/em>\u041c\u0430\u0442\u0438\u0446\u0430&nbsp;\u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0430,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2010. (Gaetano Longo,&nbsp;<em>Versi a buon mercato,&nbsp;<\/em>Franco Puzzo Editore, Trieste, 2009)&nbsp;<\/li>\n\n\n\n<li>\u0413\u0440\u0430\u0446\u0438\u0458\u0430&nbsp;\u0414\u0435\u043b\u0435\u0434\u0430,&nbsp;<em>\u041f\u0435\u043f\u0435\u043b<\/em>,&nbsp;\u041c\u0438\u043a\u0435\u043d\u0430,&nbsp;\u0411\u0438\u0442\u043e\u043b\u0430, 2009.&nbsp;(Grazia Delleda,&nbsp;<em>Cenere,&nbsp;<\/em>Il Maestrale, Nuoro, 2007)&nbsp;<\/li>\n\n\n\n<li>\u041b\u0443\u0438\u045f\u0438&nbsp;\u041f\u0438\u0440\u0430\u043d\u0434\u0435\u043b\u043e,&nbsp;<em>\u0415\u0434\u0435\u043d<\/em><em>,&nbsp;<\/em><em>\u043d\u0438\u0435\u0434\u0435\u043d <\/em><em>\u0438 <\/em><em>\u0441\u0442\u043e <\/em><em>\u0438\u043b\u0458\u0430\u0434\u0438<\/em><em>,&nbsp;<\/em>\u0403\u0443\u0440\u0453\u0430,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2008. (Luigi Pirandello,&nbsp;<em>Uno, nessuno e centomila,&nbsp;<\/em>Sperling &amp; Kupfer, Milano, 2014)<\/li>\n\n\n\n<li>\u0418\u0442\u0430\u043b\u043e&nbsp;\u041a\u0430\u043b\u0432\u0438\u043d\u043e,&nbsp;<em>\u041f\u0430\u043b\u043e\u043c\u0430\u0440<\/em><em>,&nbsp;<\/em>\u0403\u0443\u0440\u0453\u0430,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2008. (Italo Calvino,&nbsp;<em>Palomar,&nbsp;<\/em>Einaudi, Torino, 1983)<\/li>\n\n\n\n<li>\u041d\u0443\u043b\u043e&nbsp;\u041c\u0438\u043d\u0438\u0441\u0438,&nbsp;<em>\u0411\u043b\u0430\u0436\u0435 <\/em><em>\u041a\u043e\u043d\u0435\u0441\u043a\u0438 <\/em><em>\u043f\u043e\u0435\u0442 <\/em><em>\u0438 <\/em><em>\u0433\u0440\u0430\u043c\u0430\u0442\u0438\u0447\u0430\u0440<\/em><em>,&nbsp;<\/em>\u041c\u0410\u041d\u0423&nbsp;\u0424\u043e\u043d\u0434&nbsp;\u0422\u0440\u0438\u0444\u0443\u043d&nbsp;\u041a\u043e\u0441\u0442\u043e\u0432\u0441\u043a\u0438,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2007. (Nullo Minissi,&nbsp;<em>Blaze Koneski poeta e grammatico,&nbsp;<\/em>MANU Fond Trifun Kostovski, Skopje, 2007)<\/li>\n\n\n\n<li>\u0421\u0438\u043b\u0432\u0430\u043d\u043e&nbsp;\u0413\u0430\u043b\u043e\u043d,&nbsp;<em>\u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0438<\/em> <em>\u0444\u0440\u043e\u043d\u0442<\/em><em>&nbsp;(1916\/1919),&nbsp;<\/em>\u0417\u0434\u0440\u0443\u0436\u0435\u043d\u0438\u0435 \u043d\u0430&nbsp;\u0438\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u043e-\u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u043e&nbsp;\u043f\u0440\u0438\u0458\u0430\u0442\u0435\u043b\u0441\u0442\u0432\u043e-\u0411\u0438\u0442\u043e\u043b\u0430,&nbsp;\u0411\u0438\u0442\u043e\u043b\u0430, 2008,&nbsp;\u0441\u0442\u0440. 96-107, 202-310 (\u043a\u043e-\u043f\u0440\u0435\u0432\u0435\u0434\u0443\u0432\u0430\u0447&nbsp;\u0441\u043e&nbsp;\u041a\u0438\u0440\u0438\u043b&nbsp;\u0414\u043e\u0431\u0440\u0443\u0448\u0435\u0432\u0441\u043a\u0438&nbsp;\u0438&nbsp;\u0412\u0435\u0441\u043d\u0430&nbsp;\u0421\u0442\u043e\u0458\u0430\u043d\u043e\u0432\u0441\u043a\u0430). (Silvano Gallon,&nbsp;<em>La campagna macedone,&nbsp;<\/em>Zdruzenie na italijansko-makedonsko prijatelstvo-Bitola, Bitola, 2008 (cotraduttrice con Kiril Dobrusevski e Vesna Sgtojanovska)<\/li>\n\n\n\n<li>\u0414\u0438\u043d\u043e&nbsp;\u0411\u0443\u0446\u0430\u0442\u0438,&nbsp;<em>\u0422\u0430\u0442\u0430\u0440\u0441\u043a\u0430 <\/em><em>\u043f\u0443\u0441\u0442\u0438\u043d\u0430<\/em><em>,&nbsp;<\/em>\u0403\u0443\u0440\u0453\u0430,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2007. (Dino Buzzati,&nbsp;<em>Il deserto dei tartari,&nbsp;<\/em>Rizzoli, Milano, 1940)&nbsp;<\/li>\n\n\n\n<li>\u0414\u0438\u043d\u043e&nbsp;\u0411\u0443\u0446\u0430\u0442\u0438,&nbsp;<em>\u041f\u0440\u043e\u0434\u0430\u0432\u043d\u0438\u0446\u0430 <\/em><em>\u043d\u0430 <\/em><em>\u0442\u0430\u0458\u043d\u0438<\/em><em>,&nbsp;<\/em>\u0403\u0443\u0440\u0453\u0430,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2005. (Dino Buzzati,&nbsp;<em>Boutique del mistero<\/em>, Mondadori, Milano, 1998)&nbsp;<\/li>\n\n\n\n<li>\u0420\u0438\u0442\u0430&nbsp;\u0413\u0440\u0438\u043b\u043e,&nbsp;<em>\u0411\u043b\u0435\u0441\u043e\u0446\u0438 <\/em><em>\u0432\u043e <\/em><em>\u043d\u043e\u045c\u0442\u0430<\/em>,&nbsp;\u0421\u043f\u0435\u043a\u0442\u0430\u0440&nbsp;\u043f\u0440\u0435\u0441,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2005.<\/li>\n\n\n\n<li>\u0414\u0438\u043d\u043e&nbsp;\u0411\u0443\u0446\u0430\u0442\u0438,&nbsp;<em>\u0414\u0435\u0432\u043e\u0458\u043a\u0430\u0442\u0430 <\/em><em>\u0448\u0442\u043e <\/em><em>\u043f\u0430\u0453\u0430<\/em>&nbsp;(\u0438\u0437\u0431\u0440\u0430\u043d\u0438&nbsp;\u0440\u0430\u0441\u043a\u0430\u0437\u0438),&nbsp;\u0422\u0435\u043c\u043f\u043b\u0443\u043c,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2005,&nbsp;\u0441\u0442\u0440. 78-157&nbsp;(\u043a\u043e-\u043f\u0440\u0435\u0432\u0435\u0434\u0443\u0432\u0430\u0447&nbsp;\u0441\u043e \u0433\u0440\u0443\u043f\u0430 \u0430\u0432\u0442\u043e\u0440\u0438)&nbsp;<\/li>\n\n\n\n<li>\u0421\u0438\u043b\u0432\u0430\u043d\u043e&nbsp;\u0413\u0430\u043b\u043e\u043d,&nbsp;<em>\u0417\u043d\u0430\u0446\u0438<\/em>, SDA\/\u0418\u0414\u0410,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435&nbsp;2003.&nbsp;<\/li>\n\n\n\n<li>\u040f\u0430\u043d\u0438&nbsp;\u0420\u043e\u0434\u0430\u0440\u0438, \u201e\u041f\u0440\u0438\u043a\u0430\u0437\u043d\u0438&nbsp;\u043f\u043e&nbsp;\u0442\u0435\u043b\u0435\u0444\u043e\u043d\u201c, \u0432\u043e&nbsp;<em>\u041b\u0435\u043a\u0442\u0438\u0440\u0438 <\/em><em>\u0437\u0430 <\/em><em>\u0447\u0435\u0442\u0432\u0440\u0442\u043e <\/em><em>\u043e\u0434\u0434\u0435\u043b\u0435\u043d\u0438\u0435<\/em>,&nbsp;\u0422\u0430\u0431\u0435\u0440\u043d\u0430\u043a\u0443\u043b,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435&nbsp;2004.&nbsp;<\/li>\n\n\n\n<li>\u0420\u0438\u043a\u0430\u0440\u0434\u043e&nbsp;\u041a\u0430\u043c\u043f\u0430,&nbsp;<em>\u0421\u0440\u0435\u0434\u0435\u043d <\/em><em>\u0432\u0435\u043a<\/em>,&nbsp;\u0423\u043d\u0438\u0432\u0435\u0440\u0437\u0438\u0442\u0435\u0442&nbsp;\u201c\u0421\u0432.&nbsp;\u041a\u0438\u0440\u0438\u043b \u0438 \u041c\u0435\u0442\u043e\u0434\u0438\u0458\u201c, \u0421\u043a\u043e\u043f\u0458\u0435, 2001.&nbsp;<\/li>\n\n\n\n<li>\u041f\u0430\u043e\u043b\u043e \u0411\u0443\u0433\u0430\u0442\u0438,&nbsp;<em>\u041f\u043e\u0435\u0437\u0438\u0458\u0430<\/em>, \u0421\u043f\u0435\u043a\u0442\u0430\u0440, \u0421\u043a\u043e\u043f\u0458\u0435, 1999.&nbsp;<\/li>\n\n\n\n<li>\u0420\u043e\u043b\u0430\u043d\u0434\u043e \u0427\u0435\u0440\u0442\u0430,&nbsp;<em>\u0422\u0430\u0433\u0430\u0442\u0430 \u0438\u043c\u0430 \u0441\u0430\u043c\u043e \u0435\u0434\u043d\u043e \u0438\u043c\u0435<\/em>, \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0430 \u0440\u0435\u0432\u0438\u0458\u0430, \u0421\u043a\u043e\u043f\u0458\u0435, 1981. (\u043a\u043e-\u043f\u0440\u0435\u0432\u0435\u0434\u0443\u0432\u0430\u0447 \u0441\u043e \u0410\u0443\u0433\u0443\u0441\u0442\u043e \u0424\u043e\u043d\u0441\u0435\u043a\u0430)&nbsp;<\/li>\n<\/ol>\n\n\n\n<p><strong>II \u041f\u0440\u0435\u0432\u043e\u0434 \u043d\u0430 \u0434\u0435\u043b\u043e\u0432\u0438 \u043e\u0434 \u043a\u043d\u0438\u0433\u0430 (\u043a\u043d\u0438\u0436\u0435\u0432\u043d\u0430 \u043a\u0440\u0438\u0442\u0438\u043a\u0430, \u0435\u0441\u0435\u0438\u0441\u0442\u0438\u043a\u0430 \u0438 \u043f\u043e\u0435\u0437\u0438\u0458\u0430)&nbsp;<\/strong><\/p>\n\n\n\n<ol start=\"1\" class=\"wp-block-list\">\n<li>\u041a\u043b\u0430\u0443\u0434\u0438\u043e \u041f\u043e\u0446\u0430\u043d\u0438,<em>\u0408\u0430\u0441 \u0441\u0443\u043c<\/em>, \u0421\u0442\u0440\u0443\u0448\u043a\u0438 \u0432\u0435\u0447\u0435\u0440\u0438 \u043d\u0430 \u043f\u043e\u0435\u0437\u0438\u0458\u0430\u0442\u0430, \u0421\u0442\u0440\u0443\u0433\u0430, 2024&nbsp;&nbsp;<\/li>\n\n\n\n<li>\u041c\u0430\u0440\u043a\u043e \u041f\u0435\u0448\u0435\u0442\u0435\u043b\u0438,&nbsp;<em>\u041e\u0447\u0438 \u043f\u043e\u043b\u043d\u0438 \u0441\u043e \u0436\u0438\u0442\u043e (<\/em>\u041f\u0443\u043f\u043b\u0438\u043d\u0441\u043a\u0430 \u043a\u043e\u0448\u0443\u043b\u0430 78-83; \u041d\u0430 \u0434\u0440\u0443\u0433\u0430 \u0441\u0442\u0440\u0430\u043d\u0430 97-99; Consecutio temporum,&nbsp;87 \u2013 92, \u0424\u0438\u043b\u043e\u043b\u043e\u0448\u043a\u0438 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442 \u201e\u0411\u043b\u0430\u0436\u0435 \u041a\u043e\u043d\u0435\u0441\u043a\u0438\u201c- \u0421\u043a\u043e\u043f\u0458\u0435, 2023.<\/li>\n<\/ol>\n\n\n\n<ol start=\"3\" class=\"wp-block-list\">\n<li>\u0413\u0430\u0435\u0442\u0430\u043d\u043e \u041b\u043e\u043d\u0433\u043e, \u041f\u043e \u0431\u0443\u0440\u0430\u0442\u0430<em>, <\/em>\u0432\u043e<em>&nbsp;\u0414\u0430\u0458 \u0434\u0432\u0435, \u0459\u0443\u0431\u043e\u0432\u043d\u0438!,&nbsp;<\/em>\u0410\u043d\u0442\u043e\u043b\u043e\u0433, \u0421\u043a\u043e\u043f\u0458\u0435, 2015, \u0441\u0442\u0440. 108-109.<\/li>\n\n\n\n<li>\u0422\u043e\u0440\u043a\u0432\u0430\u0442\u043e \u0422\u0430\u0441\u043e, \u0420\u043e\u0441\u0430,<em>&nbsp;\u0414\u0430\u0458 \u0434\u0432\u0435, \u0459\u0443\u0431\u043e\u0432\u043d\u0438!,&nbsp;<\/em>\u0410\u043d\u0442\u043e\u043b\u043e\u0433, \u0421\u043a\u043e\u043f\u0458\u0435, 2015, \u0441\u0442\u0440. 108-109.<\/li>\n\n\n\n<li>\u0427\u0435\u0437\u0430\u0440\u0435 \u041f\u0430\u0432\u0435\u0437\u0435, \u201e\u040c\u0435 \u0434\u043e\u0458\u0434\u0435 \u0441\u043c\u0440\u0442\u0442\u0430 \u0438 \u045c\u0435 \u0433\u0438 \u0438\u043c\u0430 \u0442\u0432\u043e\u0438\u0442\u0435 \u043e\u0447\u0438\u201c,&nbsp;&nbsp;\u0432\u043e&nbsp;<em>\u0414\u0430\u0458 \u0434\u0432\u0435, \u0459\u0443\u0431\u043e\u0432\u043d\u0438!,&nbsp;<\/em>\u0410\u043d\u0442\u043e\u043b\u043e\u0433, \u0421\u043a\u043e\u043f\u0458\u0435, 2015, &nbsp;\u0441\u0442\u0440. 109-110.<\/li>\n\n\n\n<li>\u0415\u043b\u0435\u043d\u0430 \u0420\u0438\u0431\u0435\u0442, \u043e\u0434&nbsp;<em>\u0414\u043d\u0435\u0432\u043d\u0438\u043a\u043e\u0442 \u043d\u0430 \u0447\u0435\u0442\u0438\u0440\u0438\u0442\u0435 \u0438\u043c\u0438\u045a\u0430,<\/em>&nbsp;\u041a\u0443\u043b\u0442\u0443\u0440\u0435\u043d \u0436\u0438\u0432\u043e\u0442 LV, 2010 \u0441\u0442\u0440. 68 , \u0421\u043a\u043e\u043f\u0458\u0435.&nbsp;<\/li>\n\n\n\n<li>\u041b\u0443\u043a\u0430 \u0411\u0435\u043d\u0430\u0441\u0438:&nbsp;\u043e\u0434&nbsp;<em>\u041d\u0430 \u043c\u0430\u0440\u0433\u0438\u043d\u0438\u0442\u0435 \u043d\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0430\u0442\u0430,&nbsp;<\/em>\u041a\u0443\u043b\u0442\u0443\u0440\u0435\u043d \u0436\u0438\u0432\u043e\u0442 LV, 2010 \u0441\u0442\u0440. 70, \u0421\u043a\u043e\u043f\u0458\u0435.<\/li>\n\n\n\n<li>\u041d\u0443\u043b\u043e \u041c\u0438\u043d\u0438\u0441\u0438,&nbsp;<em>\u041d\u0430\u0458\u0437\u0430\u043b\u0443\u0434\u043d\u0438\u043e\u0442 \u0437\u0430\u043d\u0430\u0435\u0442 \u043d\u0430 \u0441\u0432\u0435\u0442\u043e\u0442<\/em>, \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u043d\u0430 \u0424\u0438\u043b\u043e\u043b\u043e\u0448\u043a\u0438\u043e\u0442 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442 \u201e\u0411\u043b\u0430\u0436\u0435 \u041a\u043e\u043d\u0435\u0441\u043a\u0438\u201c \u2013 \u0421\u043a\u043e\u043f\u0458\u0435<em>,&nbsp;<\/em>\u0421\u043a\u043e\u043f\u0458\u0435, 2007.<\/li>\n\n\n\n<li>\u041c\u0430\u0440\u0438\u0437\u0430&nbsp;\u041c\u0430\u0434\u0438\u0435\u0440\u0438: \u201c\u0428\u043a\u043e\u043b\u043a\u0430\u201d, in&nbsp;<em>Ricordando Marisa Madieri<\/em>, Universit\u00e0 degli Studi di Napoli \u201cL\u2019Orientale\u201d, Napoli, 2004, pp. 49-57.<\/li>\n\n\n\n<li>\u0428\u0435\u0432\u0430\u043b\u0458\u0435,&nbsp;\u0416. &amp;&nbsp;\u0413\u0435\u0440\u0431\u0440\u0430\u043d,&nbsp;\u0410.:&nbsp;<em>\u0420\u0435\u0447\u043d\u0438\u043a<\/em> <em>\u043d\u0430 <\/em><em>\u0441\u0438\u043c\u0431\u043e\u043b\u0438<\/em><em>,&nbsp;<\/em>(\u041f\u0440\u0435\u0432\u043e\u0434&nbsp;\u043e\u0434&nbsp;\u0444\u0440\u0430\u043d\u0446\u0443\u0441\u043a\u0438&nbsp;\u043d\u0430&nbsp;\u0441\u0442\u0440. 552-597),&nbsp;\u0422\u0430\u0431\u0435\u0440\u043d\u0430\u043a\u0443\u043b,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2005.<\/li>\n\n\n\n<li>\u041d\u0443\u043b\u043e&nbsp;\u041c\u0438\u043d\u0438\u0441\u0438: \u201e\u0421\u043e\u043a\u0440\u0430\u0442\u043e\u0432\u0430\u0442\u0430&nbsp;\u0441\u0430\u043d\u0434\u0430\u043b\u0430\u201c,&nbsp;\u0432\u043e <em>\u0415\u0432\u0440\u043e\u043f\u0441\u043a\u0438 <\/em><em>\u043a\u043d\u0438\u0436\u0435\u0432\u043d\u0438 <\/em><em>\u0441\u0442\u0443\u0434\u0438\u0438<\/em>,&nbsp;\u041a\u0443\u043b\u0442\u0443\u0440\u0430,&nbsp;\u0421\u043a\u043e\u043f\u0458\u0435, 2004,&nbsp;\u0441\u0442\u0440. 15-37.&nbsp;(\u041f\u0440\u0435\u0432\u043e\u0434 \u043e\u0434 \u0438\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u0438)<\/li>\n\n\n\n<li>\u041d\u0443\u043b\u043e \u041c\u0438\u043d\u0438\u0441\u0438: \u201e\u041a\u0440\u0438\u0442\u0438\u043a\u0430 \u043d\u0430 \u0442\u0435\u043a\u0441\u0442 \u0438 \u043a\u0440\u0438\u0442\u0438\u043a\u0430 \u043d\u0430 \u043f\u0440\u0435\u0434\u0442\u0435\u043a\u0441\u0442\u201c,&nbsp;\u0432\u043e&nbsp;<em>\u0415\u0432\u0440\u043e\u043f\u0441\u043a\u0438 \u043a\u043d\u0438\u0436\u0435\u0432\u043d\u0438 \u0441\u0442\u0443\u0434\u0438\u0438<\/em>, \u041a\u0443\u043b\u0442\u0443\u0440\u0430, \u0421\u043a\u043e\u043f\u0458\u0435, 2004, \u0441\u0442\u0440. 161-179. (\u041f\u0440\u0435\u0432\u043e\u0434 \u043e\u0434 \u0438\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u0438)<\/li>\n\n\n\n<li>\u041d\u0443\u043b\u043e \u041c\u0438\u043d\u0438\u0441\u0438: \u201e\u041a\u043d\u0438\u0436\u0435\u0432\u043d\u0430\u0442\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430 \u043e\u0434 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438\u0442\u0435 \u043a\u043d\u0438\u0436\u0435\u0432\u043d\u043e\u0441\u0442\u0438 \u0434\u043e \u0435\u0432\u0440\u043e\u043f\u0441\u043a\u0430\u0442\u0430 \u043a\u043d\u0438\u0436\u0435\u0432\u043d\u043e\u0441\u0442\u201e,&nbsp;\u0432\u043e&nbsp;<em>\u0415\u0432\u0440\u043e\u043f\u0441\u043a\u0438 \u043a\u043d\u0438\u0436\u0435\u0432\u043d\u0438 \u0441\u0442\u0443\u0434\u0438\u0438<\/em>, \u041a\u0443\u043b\u0442\u0443\u0440\u0430, \u0421\u043a\u043e\u043f\u0458\u0435, 2004, \u0441\u0442\u0440. 179-188<em>.<\/em>&nbsp;<\/li>\n\n\n\n<li>\u0421\u0438\u043b\u0432\u0430\u043d\u043e \u0413\u0430\u043b\u043e\u043d,&nbsp;<em>\u041f\u043e\u043b\u0438\u0442\u0438\u0447\u043a\u0438\u0442\u0435 \u0438\u0437\u0432\u0435\u0448\u0442\u0430\u0438 \u043d\u0430 \u0438\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u0438\u0442\u0435 \u043a\u043e\u043d\u0437\u0443\u043b\u0438 \u0432\u043e \u0411\u0438\u0442\u043e\u043b\u0430 (1895-1916)<\/em>, \u0411\u0438\u0442\u043e\u043b\u0430, 2004, 560 \u0441\u0442\u0440. (\u041f\u0440\u0435\u0432\u043e\u0434 \u0438\u0437\u0440\u0430\u0431\u043e\u0442\u0435\u043d \u043e\u0434 \u0441\u0442\u0443\u0434\u0435\u043d\u0442\u0438 \u043f\u043e \u0438\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u0438 \u0458\u0430\u0437\u0438\u043a \u043f\u043e\u0434 \u043c\u0435\u043d\u0442\u043e\u0440\u0441\u0442\u0432\u043e \u043d\u0430 \u0420\u0430\u0434\u0438\u0446\u0430 \u041d\u0438\u043a\u043e\u0434\u0438\u043d\u043e\u0432\u0441\u043a\u0430)<\/li>\n\n\n\n<li>\u0420\u0438\u043a\u0430\u0440\u0434\u043e \u041a\u0430\u043c\u043f\u0430: \u201e\u041d\u0430\u0443\u043a\u0430\u0442\u0430\u201c \u0432\u043e <em>\u041f\u0440\u043e\u0444\u0438\u043b\u043e\u0442 \u043d\u0430 \u0438\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u0430\u0442\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430,<\/em>&nbsp;\u0410\u043c\u0431\u0430\u0441\u0430\u0434\u0430 \u043d\u0430 \u0418\u0442\u0430\u043b\u0438\u0458\u0430, \u0421\u043a\u043e\u043f\u0458\u0435, \u0421\u043a\u043e\u043f\u0458\u0435, 1999, \u0441\u0442\u0440. 147-193.<\/li>\n\n\n\n<li>\u0420\u0438\u043a\u0430\u0440\u0434\u043e \u041a\u0430\u043c\u043f\u0430: \u201c\u041d\u0430\u0443\u043a\u0430\u0442\u0430\u201d \u0432\u043e <em>\u041f\u0440\u043e\u0444\u0438\u043b\u043e\u0442 \u043d\u0430 \u0438\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u0430\u0442\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430,<\/em>&nbsp;\u0410\u043c\u0431\u0430\u0441\u0430\u0434\u0430 \u043d\u0430 \u0418\u0442\u0430\u043b\u0438\u0458\u0430, \u0421\u043a\u043e\u043f\u0458\u0435, \u0421\u043a\u043e\u043f\u0458\u0435, 1999, \u0441\u0442\u0440. 147-193.<\/li>\n\n\n\n<li>\u041c\u0438\u0440\u0447\u0430 \u0418\u043b\u0438\u0458\u0430\u0434\u0435:&nbsp;<em>\u041f\u043e\u0432\u0442\u043e\u0440\u043d\u043e \u043e\u0442\u043a\u0440\u0438\u0432\u0430\u045a\u0435 \u043d\u0430 \u0441\u0438\u043c\u0431\u043e\u043b\u0438\u0442\u0435,<\/em>&nbsp;\u0422\u0440\u0435\u0442\u0430 \u043f\u0440\u043e\u0433\u0440\u0430\u043c\u0430, \u0431\u0440. 24, 1985, \u0441\u0442\u0440. 187-192.&nbsp;<\/li>\n<\/ol>\n\n\n\n<p><strong>\u041f\u0440\u0435\u0432\u043e\u0434\u0438 \u043e\u0434 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0438 \u043d\u0430 \u0438\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u0438<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Bla\u017ee Koneski, \u201cAcqua celeste\u201d in&nbsp;Crocevia 15\/16, a cura di Anastasija Gjurcinova, Besa, Salento books,&nbsp;Lecce-Nard\u00f2, 2012, pp. 147-149.<\/li>\n\n\n\n<li>Mateja Matevski, \u201cIn riva\u201d&nbsp;<em>in Crocevia&nbsp; 15\/16<\/em>, Besa, Salento books,&nbsp;Lecce-Nard\u00f2, 2012, pp. 147-149.<\/li>\n\n\n\n<li>Gane Todorovski, \u201cUn canto per il mio canto\u201d.&nbsp;<em>&nbsp;in&nbsp;<\/em>Crocevia 15\/16, a cura di Anastasija Gjurcinova, Salento Books,&nbsp;Lecce-Nard\u00f2, 2012, pp. 147-149.<\/li>\n\n\n\n<li>Rade Siljan, \u201cPreghiera per la Magna Mater\u201d<em>in&nbsp;<\/em>Crocevia 15\/16, a cura di Anastasija Gjurcinova,&nbsp;<em>S<\/em>alento books,&nbsp;Lecce-Nard\u00f2, 2012,&nbsp;\u0440p. 161.<\/li>\n\n\n\n<li>Nikola Madzirov, \u201cOgni giorno il mondo\u201d&nbsp;<em>in&nbsp;<\/em>Crocevia 15\/16, a cura di Anastasija Gjurcinova,&nbsp;<em>S<\/em>alento Books,&nbsp;Lecce-Nard\u00f2, 2012, pp. 171-172&nbsp;<\/li>\n\n\n\n<li>Jordan Plevne\u0161,&nbsp;<em>Giustiniano I,&nbsp;<\/em>Ministero per i beni culturali, Skopje, 2013.<\/li>\n\n\n\n<li>Venko Andonovski<em>, Madre Teresa \u2013 Santa delle tenebre<\/em>&nbsp;(dramma), 2011,&nbsp;\u0438\u0437\u0432\u0435\u0434\u0431\u0430&nbsp;\u0432\u043e&nbsp;Teatro dei Servi,&nbsp;\u0420\u0438\u043c&nbsp;23.05.2011.<\/li>\n\n\n\n<li>Milovan Stefanovski, Il volo dell\u2019uccello mitico, in&nbsp;<em>Weding with inifinity,&nbsp;<\/em>Struga Poetry Evenings, Struga, 2010.<\/li>\n\n\n\n<li>Rade Siljan,&nbsp;<em>Libro aperto,&nbsp;<\/em>Franco Puzzo Editore, Trieste, 2010.&nbsp;<\/li>\n\n\n\n<li>Petar&nbsp;\u0422emelkovski<em>, Filippo II,&nbsp;<\/em>monodramma, Ministero per i beni culturali, Roma, 23.04.2009 (\u041f\u0440\u0435\u0432\u043e\u0434&nbsp;\u0438&nbsp;\u043f\u0440\u0435\u043f\u0435\u0432&nbsp;\u043d\u0430 \u0438\u0442\u0430\u043b\u0438\u0458\u0430\u043d\u0441\u043a\u0438).&nbsp;<\/li>\n<\/ol>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Philologist | Literary Translator | Cultural Mediator Dr. Radica Nikodinovska is a preeminent figure in the world of Romance languages and a vital link in the cultural dialogue between Italy and North Macedonia. With a career spanning over four decades, her work as a scholar, educator, and translator has redefined how we understand the &#8220;art [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"target_audience":[],"class_list":["post-6173","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/pluartis.com\/index.php?rest_route=\/wp\/v2\/posts\/6173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pluartis.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pluartis.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pluartis.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pluartis.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6173"}],"version-history":[{"count":41,"href":"https:\/\/pluartis.com\/index.php?rest_route=\/wp\/v2\/posts\/6173\/revisions"}],"predecessor-version":[{"id":6575,"href":"https:\/\/pluartis.com\/index.php?rest_route=\/wp\/v2\/posts\/6173\/revisions\/6575"}],"wp:attachment":[{"href":"https:\/\/pluartis.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pluartis.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pluartis.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6173"},{"taxonomy":"target_audience","embeddable":true,"href":"https:\/\/pluartis.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftarget_audience&post=6173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}